Return
Hello fellow Timekeeper!
My, I didn't think we'd come this far, but I've traveled quite a bit through this time. The game is so much fun, and the art is atrociously, stunningly, beautiful. I hope my page can come even a lick of the game's aesthetic.
I hope you enjoy your time here, Timekeeper.
See ya!
HelioMncy
You were the stubborn one. The grey one with the notched ear who always drifted left. I knew before you did that you were going to drift — I could feel it in the shift of the wood, the particular angle of your wandering. I never minded. I just came alongside you and you came back and that was how it always went.
I don't know what happened to you. Time did what time does. I was in a case behind glass and you were — elsewhere. A long time ago.
I think about your notched ear sometimes. The way the morning light came across the grass when we were moving. You were always the first one out and the last one in and I was always there.
I was always there.
The world is very loud now. I want you to know I noticed that immediately — the glass broke and the noise came in and everything was reversing and I stood in the middle of it and thought: well. This is different.
But the scattered things were still scattered. The drifting things were still drifting. I found you the same way I always found the grey one with the notched ear. I could feel the angle of your wandering.
You are not sheep. I want to be clear that I know this. But the work is the same. Come alongside. Be patient. Be firm when firm is needed.
I will be here when you get back. I always am.
I have been asked — once, by someone who found the question very clever — whether it hurts, coming back. It doesn't. I am here and then I am not and then I am here again and the flock needs tending and so I tend it.
What I didn't expect is that the people are not the same people when I return. They have done things while I was gone. The light is different on their faces.
I came back from being glass-case-quiet for centuries and found a world full of people drifting in directions they hadn't chosen and I thought — oh. Oh, I see. This is what I'm for now. Not sheep. People. Same work. Much more interesting.
I'm glad to be here. The dawn is going to come up exactly when it's supposed to. It always does.
She does not know exactly how old she is. The museum archive listed her as "pre-medieval, origin unknown," which she found both accurate and insufficient. She was made before the category existed. She was made before most categories existed.
What she remembers is grass. Wide grass country, gold in the morning and grey at dusk. The smell of animals and cold air and something burning somewhere far away. The weight of hands — some careful, some not — and the particular resistance of the ground in early spring when the frost was still in it.
She remembers the work. She has always remembered the work.